11 July 2018, Billie McTernan looks at the vibrant art community working in Ghana.
10 July 2018, Victor Ehihkamenor, a visual artist, writer, and photographer, says the marketability of Nigerian art is improving but it can be better if there are more collectors.
11 July 2018, At the Berlin Biennale, Dineo Seshee Bopape turned the drip-drip-drip of oppressive systems into powerful films and installations, by Josie Thaddeus-Johns.
10 July 2018, Mik Awake profiles the Zoma Museum, a new eco-homage to Ethiopiaâs indigenous architecture as well as a distinctly African home for contemporary art.
9 July 2018, Pablo Larios cahts to Monika SprĂŒth and Philomene Magers.
6 July 2018, Hettie Judah asks, is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?
2 July 2018, Congolese-born art collector Sindika Dokolo says this “long-neglected historical wrong” is finally being addressedâbut more can be done.
