1 December 2017, Alex Greenberger looks at Yinka Shonibare’s commissioned “Wind Sculpture” which has been commissioned by the Public Art Fund for the Doris C. Freedman Plaza in Central Park, New York.
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30 November 2017, Cristina Ruiz and Anna Brady dig a bit deeper with the recent Leonardo sale in New York. The emergence of a “double-bind” guarantee, a new concept in auctions, is at the heart of what could be a very clever but complicated deal.
29 November 2017, Robin Scher looks at William Kentridge’s performance for Performa 17.
28 November 2017, Noami Rea reports onĀ Emmanuel Macron’s recent visit to Burkina Faso where heĀ promised to make the restitution of French-owned African heritage a priority over the next five years.
27 November 2017, Clare McAndrew writes an interest piece for Artsy about the “Superstar Economics” within the Art Market. A very interesting article which touches on how small and medium galleries can adapt and survive in the face of mega blue chip galleries.Ā
21 November 2017, Apollo Magazine profiles the artist Lubaina Himid who was awarded Artist of the Year during the annual Apollo Awards. It has been quite a year for Lubaina who has also been shortlisted for the Turner Prize.
27 November 2017,Ā Molly Schuetz looks at Arthena, a New York based art investment fund looking to democratize the art investment market.
22 November 2017, Alex Greenberger reports on Zanele Muholi being awarded theĀ Chevalier de lāOrdre des Arts et des Lettres. The award recognizes important people in the arts who have contributed to French culture.
21 November 2017, Julia Halperin questions whether we are in the middle of a cultural boom while reporting on the amount spent on building cultural institutions around the world. The article covers a report that was commissioned on behalf of the Global Cultural Districts Network.
21 November 2017, Nate Freeman looks at the most important works of David Rockefellars estate which Christies will sell in 2018.