23 July 2018, M Neelika Jayawardane asks what an art institution’s responsibility is when one of its ‘star’ artists is violent towards women?
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20 July 2018, Natasha Bell questions artists rights to use other people in their work—to invade their lives, violate their privacy, or cause them harm?
21 July 2018, Melitta Ngalonkulu looks at how Athi-Patra Ruga juxtaposes fashion, art and performance, using tapestries and his body as a medium to tell compelling stories.
20 July 2018, Devon Van Houten Maldonado reviews Otobong Nkanga’s exhibition at Museum of Contemporary Art Chicago.
20 July 2018, Evan Beard takes an interesting look at how collecting might change in the coming years due to Millennial Collectors.
20 July 2018, IOL looks at Jabulani Dhlamini’s third solo exhibition, iXesha!, at the Goodman Gallery.
Update to the Scheryn Art Collection to address various concerns raised in the media:
We are aware of various reports surrounding the resignation of Mark Coetzee from Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) which suggest that the Scheryn Art Collection had a role to play in his resignation. Out of respect for the legal proceedings, we have waited to address these reports with the hope that the Trustees of Zeitz MOCAA would release a statement providing further details into Mark’s resignation. As this has not happened we believe the time is right to address the concerns related to the Scheryn Art Collection.
19 July 2018, Diane de Beer takes a look at The Javett Art Centre in Pretoria.
19 July 2018, Edward Siddons speak to Pieter Hugo about his best photograph. On the photograph Hugo said “It’s a simple shot with an incredible economy. I wish I could take more like it.”
16 July 2018, by ARTFORUM. At a press conference held at the Palazzo Giustinian in Venice, Paolo Baratta, president of the Venice Biennale, and Ralph Rugoff, curator of the 2019 edition, announced the theme of the upcoming exhibition. Titled “May You Live in Interesting Times,” the biennial will respond to an age-old problem: fake news.