8 August 2018 by Jonathan Curiel. “After the Thrill Is Gone,” Zimbabwean artist Kudzanai Chiurai’s exhibit at the Museum of the African Diaspora, tests the hopes and disappointments of post-Apartheid South Africa and neighboring Zimbabwe.
Zack Hatfield reviews Anna Boghiguian’s The Loom of History.
8 August 2018. When a gallery’s focus is set firmly on its relationships with its artists, magic is made, and that’s the secret to how Stevenson gallery is contributing to the growing success of the African art market by Sarah Browning-de Villiers.
7 August 2018 by Laura Collinson. This October, Somerset House and 1-54 Contemporary African Art Fair will present new and rarely seen works from the internationally renowned South African artist Athi-Patra Ruga. In what will be his first major solo UK exhibition, Ruga will reveal a mythical world which challenges perceptions of cultural identity and parodies the construction of the South African nation-state, in the post-apartheid era.
8 August 2018, Melvyn Minnaar visits two exhibitions celebrating local art gallery Stevenson’s 15 years of existence.
3 August 2018, Pac Pobric looks at the British film-maker’s first US museum survey at the New Museum which shows that he is one of the most forceful and stirring artists of the day—and one of our best social archaeologists.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.
2 August 2018, An interesting thread of articles published on in other words, Art Agency, Partners editorial arm, which looks at the modern day “Ennial” and question whether it is a platform/model/format that is ripe for disruption and intervention.
2 August 2018, Chris Thurman discusses Wolfgang Tillmans’s ‘Fragile’, a wide-ranging retrospective of the German photographer’s oeuvre at the Johannesburg Art Gallery.