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Exhibitions

May 15, 2019  by admin

Albert Adams at Wits Art Museum

May 2019, by Athi Mongezeleli Joja.

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May 15, 2019  by admin

‘We Were Seeing and Feeling Anxiety’: The Whitney Biennial Curators on How Artists’ Struggle With Debt and Real Estate Shaped the 2019 Show

13 May 2019, Curators Rujeko Hockley and Jane Panetta talk about the cultural forces that influenced the show by Terence Trouillot.

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May 13, 2019  by admin

Curatorially speaking: The South African Pavilion at the 2019 Venice Biennale

11 May 2019, By Malibongwe Tyilo.

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May 13, 2019  by admin

Mawkish monuments and the beach from hell: our verdict on the Venice Biennale

12 May 2019, by Adrian Searle.

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May 13, 2019  by admin

Ghana shakes up art’s ‘sea of whiteness’ with first Venice pavilion

8 May 2019, by Charlotte Higgins.

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May 13, 2019  by admin

Ghana arrives at the Venice Biennale, bringing new narratives with it

3 May 2019, With the country’s first appearance at the event, curator Nana Oforiatta Ayim is testing out what a national African pavilion can be. By Caroline Roux.

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May 13, 2019  by admin

The South African Pavilion Builds a Bridge Between Past and Present

30 April 2019, by Themba Tsotsi.

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May 3, 2019  by admin

Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu

3 May 2019, by Tim Leibbrandt.

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May 3, 2019  by admin

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

2 May 2019 by Isabella Kuijers.

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May 3, 2019  by admin

Ralph Rugoff is creating a Venice Biennale for right now

29 April 2019, By only showing living artists, the artistic director’s exhibition will reflect this time of emergency by Jerry Saltz.

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  • For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History
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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
Igshaan Adams at The Art Institute of Chicago Apr 7th, 2022

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