23 April 2018, Melissa Gronlund looks at Ibrahim El Salahi’s first retrospective, Ibrahim El-Salahi: A Sudanese Artist in Oxford at the Ashmolean Museum.
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20 April 2018, Hettie Judah talks to Lubaina Himid about using her enhanced clout to request that galleries showing her work reach out to black artists living and working nearby and include them in events like talks and debates that run with the exhibitions.
16 April 2018, Julie Boukobza interviews Neïl Beloufa about “L’Ennemi de mon ennemi,” his current exhibition at the Palais de Tokyo in Paris.
13 April 2018, Margaret Carrigan speaks to Yto Barrada as her extensive exhibition opens at New York’s Pace Gallery.
13 April 2018, Abe Ahn reviews Meleko Mokgosi’s paintings currently on view in Bread, Butter, and Power at the Fowler Museum. Mokgosi questions democratic ideals in his paintings of contemporary life in Botswana.
11 April 2018, Zahra Omar reports on the University of Johannesburg’s Faculty of Art, Design, and Architecture (FADA) conferring an honorary doctorate to Esther Mahlangu.
9 April 2018, Jonathan Mandel reviews Otobong Nkanga’s current exhibition To Dig a Hole that Collapses Again at the Museum of Contemporary Art.
5 April 2018, Jerry Salts reviews two spectacular Cy Twombly shows at Larry Gagosian Gallery in New York.
6 April 2018, Lexi Manatakis looks at the legacy of Seydou Keïta in the lead up to an exhibition of his work at Amsterdam’s FOAM Museum titled Seydou Keïta – Bamako Portraits. The exhibition runs until June 20 2018.
5 April 2018, Art Africa reports on Bronwyn Katz being selected to partake as one of the artist in the SAM artist-in-residence 2018 and her subsequent exhibition at Palais de Tokyo.