12 June 2018, Anna Brady reports from the opening of Unlimited at Art Basel 2018 whereĀ The San Francisco Museum of Modern Art has acquired Ponte City (2008-14),Ā a photographic series and installation by the South African artist Mikhael SubotzkyĀ and the UK artist Patrick Waterhouse, from Goodman Gallery.
11 June 2018, Lisa Isaac’s reports that Haroon Gunn-Salie’s worj, Senzenina, will be among an elite group of work displayed in London’s Regents Park as part of Frieze. The work captures the ghosts of those slain in the Marikana Massacre and has recently been on exhibit as part of the New Museum Triennale in New York.
11 June 2018, Misha Krynauw reviews Dada Khanyisa’s first solo exhibition, Bamb’iphone, at Stevenson Cape Town.
8 June 2018, Emily Wilson discusses the interaction between The Deluge, a monumental J.M.W Turner painting showing a Biblical flood and John Akomfrahās Vertigo Sea which are currently paired at the San Francisco Museum of Modern Art.
1 May 2018, Aicha MehrezĀ talk to the Lisa Brice about her Art Now exhibition at Tate Britain.
6 June 2018,Ā Isabella Kuijers reviews Lisa Brice’sĀ first exhibition at the Tate Britain which forms part of the Art Now programme.
Zoe Whitley speaks to Lubaina HimidĀ about black visibility, historical trauma, and the power of the ordinary in her paintings.
5 June 2018, Osman Can Yerebakan uses Yto Barrada’s most recent exhibition at Pace Gallery New York as a starting point to discuss her artistic practise.
2 June 2018, Kadish Morris looks atĀ Lubaina Himid’s exhibition āOur Kisses are Petalsā which is currently on show at the BALTIC, Gateshead.
1 June 2018, Alex Dodd reviewsĀ ruby onyinyechi amanze’s exhibition,Ā there are even moonbeams we can unfold, at Goodman Gallery Cape Town.