15 June 2018, Christa Dee looks at the art of Eddy Kamuanga Ilunga, a young artists from the DRC.
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19 June 2018, Evan Moffit looks at Manifesta 12 and how the exhibition positions Sicily as the fulcrum of geopolitical conflicts over migration, trade, security and surveillance.
20 June 2018, Ashraf Jamal reviews Lungiswa Gquntaâs exhibition âQwithaâ at WHATIFTHEWORLD’s new gallery space in Buiten Street.
19 June 2018, Sean O’Toole looks at the popularity of photography in Africa and how the medium has evolved over the years.
14 June 2018, Anna Louise Sussman spoke to a dozen gallerists and art-world professionals during Art Basel week about how collectors can help galleries survive and thrive.
13 June 2018, Alexxa Gotthardt reports on Helen Martins and her Owl House in Nieu-Bethesda, South Africa.
12 June 2018, Julia Halperin reports on Hollybush Gardens solo booth of works by Lubaina Himid in the feature section of Art Basel 2018. Curators and collectors at Art Basel are clamoring for the artist, who long lacked consistent representation.
Kaelen Wilson-Goldie reports for ARTFORUM on Anna Boghiguian’s first museum exhibition in the United States, The Loom of History.
Economics Professor Pier Luiggi Sacco calls our attention to a crucial tension in the way contemporary visual arts operate today.
13 June 2018, Melanie Gerlis questions whether the art market can continue thrive in a sharing economy characterised by millennial’s who are more interested in experiencing, sharing and being in the moment. Millennial’s donât seem to have the same collecting gene as previous generations and this could have a lasting impact on the market as we know it today.