8 August 2018, Melvyn Minnaar visits two exhibitions celebrating local art gallery Stevenson’s 15 years of existence.
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7 August 2018, Victoria L. Valentine looks at the most recent addition to the art collection at The Mead Art Museum at Amherst College.
3 August 2018, Zaza Hlalethwa writes about the Leaders in Motion Academy (LIMA), South Africa’s first township film academy. The academy will provide a free, extensive 12-month programme for selected students to learn the industry’s basics.
7 August 2018, Misha Krynauw looks at the work of Lionel Davis at the occasion of a new his monograph, Awakenings – The Art of Lionel Davis.
3 August 2018, Pac Pobric looks at the British film-maker’s first US museum survey at the New Museum which shows that he is one of the most forceful and stirring artists of the day—and one of our best social archaeologists.
3 August 2018, Nkgopoleng Moloi looks at the work of Billie Zangewa in the lead up to her being the featured artists at the 2018 FNB Joburg Art Fair in September. The article also features Return to Paradise II, which is in the Scheryn Art Collection, as its main image.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.
2 August 2018, An interesting thread of articles published on in other words, Art Agency, Partners editorial arm, which looks at the modern day “Ennial” and question whether it is a platform/model/format that is ripe for disruption and intervention.