23 August 2018, Amy Ellenbogen sits down with ArtThrob to provide the inside scoop on her curatorial vision for this year’s fair.
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24 August 2018, Kopano Maroga writes about Dineo Seshee Bopape’s Untitled (Of Occult Instability) [Feelings] at the KW Institute for Contemporary Art as part of the 10th Berlin Biennale.
24 August 2018, Adams’s artworks have a compelling sense of incompleteness, as the viewer is pressed to consider what is missing within his representations by Kealey Boyd.
23 August 2018, Chloe Stead looks at conference at the Salzburg Summer Academy which demonstrated the contentious issues at stake when dealing with the legacy of colonialism – and possible ways forward.
24 August 2018, Susanne von Falkenhausen on this summer’s 10th Berlin Biennale, Manifesta 12 and the future of biennials.
23 August 2018, Sindika Dokolo speaks to COLLECTOR. following the recent official restitution to the Angolan State of five pieces of art from the national collections of the Dundo museum.
23 August 2018, Billie Zangewa speaks to Art Africa about the FNB JoburgArtFair, “resisting persistence”, and the delicate strength of silk.
August 2018, Sory Sanlé’s potent portraits of West African youth culture in the 1970s captured Burkina Faso at a pivotal moment of emergence. Now in his 70s, the photographer has been living in relative obscurity, an unsung bastion of Voltaic photography’s golden age – until now. By Tom Seymour.