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December 21, 2018  by admin

‘Mark-Making As a Land Your Eyes Traverse’: Toyin Ojih Odutola Talks with Zadie Smith

6 December 2018 by Shirley Nwangwa.

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November 30, 2018  by admin

In Liverpool, Lubaina Himid’s show questions the Guardian’s portrayal of black people

27 November 2018, The Turner Prize winner examines how editorial decisions at the newspaper affect the representation of black people in its pages–with alarming results by Amah-Rose Abrams.

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November 30, 2018  by admin

Apollo Awards – Artist of the Year – John Akomfrah

26 November 2018 by Fatema Ahmed.

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November 30, 2018  by admin

French President Emmanuel Macron calls for international conference on the return of African artefacts

26 November 2018, Announcement comes after controversial report urged the president to return works taken “without consent” in the colonial period by Vincent Noce.

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November 30, 2018  by admin

The Benin Bronzes are not just virtuoso works of art – they record the kingdom’s history

22 November 2018 by Kathryn Wysocki Gunsch.

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November 23, 2018November 23, 2018  by admin

Emeka Ogboh’s Kaleidoscopic Fragments of Lagos

20 November 2018, The artist’s first solo show at Galerie Imane FarĂšs, Paris, uses mirroring and multiplication to explore perspectives of his hometown. By Daniel Berndt

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November 23, 2018  by admin

Wim Botha’s Heliostat shines a playful and subversive light on Western art traditions

21 November 2018, Melvyn Minnaar looks at Wim Botha’s mid-career show taking place at the Norval Foundation.

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November 23, 2018  by admin

‘Give Africa its art back’, Macron’s report says

20 November 2018, A new report on the status of African objects in French museums will urge the president to return works taken “without consent” in the colonial period by Vincent Noce.

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November 23, 2018  by admin

Tiwani Contemporary – London, Great Britain: The London Gallery Promoting African Self-definition

November 2018, Josie Thaddeus-Johns profiles Tiwani Contemporary.

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November 23, 2018  by admin

Gerald Machona’s Afrophilia

15 November 2018, Ian Bourland looks at the work of Gerald Machona in light of his exhibition Greener Pastures at Goodman Gallery in Cape Town.

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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
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