7 November 2017,Ā Garreth Van Niekerk reports onĀ a collective of queer South African performance artists who are bringing the South Africa’s LGBTQ+ issues to the fore. The collective are in New York as part of the Performa 17 Biennial and are part of Zanele Muholi’s contribution to the performance festival.
8 November 2017, Broadway World previews Mohau Modisakeng’s performance in New York for the Performa 17 Biennial.
3 November 2017, Janelle Zara and Taylor Dafoe take a look at the first step in launching Art Basel Cities Buenos Aires in November 2018. Scheryn Founder and Director, Herman Steyn, was invited on behalf of Art Basel to participate in the week, culminating in a discussion with local gallerist, Nora Fisch, at the end of the week.
1 November 2017,Ā Andrew Russeth takes a look at the court case involving the Berkshire Museum, Sotheby’s and the sons of Norman Rockwell. The court case is a consequence of the Berkshire Museum wanting to sell works from its collection due to a “precarious financial situation that represents a threat to its continued survival.”
27 October 2017, Melvyn Minnaar looks at the A4 Arts Foundation, the new nonprofit arts space that recently opened in the East City of Cape Town.
24 September 2017, Kelly Kellaway visit Turner Prize nominee Lubaina Himid at her home inĀ Preston to discuss her practice and the 2017 Turner Prize.
14 October 2017, e-flux reports on the announcement of the Performa 17 programme. This years edition is well represented by African artists with a dedicatedĀ South African Pavilion.Ā
27 September 2017, Bella Naija reports on the unveiling of the second edition of Art X Lagos. Building on a immensely successful first Tokini Peterside, the founder of Art X Lagos, hopes to cement its title as the premierĀ international artĀ fair in West Africa.
22 September 2017, Artforum reports on the unfolding story of documenta’s financial mismanagement scandal.
27 September 2017, Nate Freeman reports on another appointment for the Art Basel Cities Initiative, this time is itĀ Simon Sakhai andĀ Aya Mousawi of the Moving Museum.