3 August 2018, Zaza Hlalethwa writes about the Leaders in Motion Academy (LIMA), South Africaâs first township film academy. The academy will provide a free, extensive 12-month programme for selected students to learn the industryâs basics.
7 August 2018, Misha Krynauw looks at the work of Lionel Davis at the occasion of a new his monograph, Awakenings â The Art of Lionel Davis.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.
2 August 2018, An interesting thread of articles published on in other words, Art Agency, Partners editorial arm, which looks at the modern day “Ennial” and question whether it is a platform/model/format that is ripe for disruption and intervention.
2 August 2018, Chris Thurman discusses Wolfgang Tillmansâs âFragileâ, a wide-ranging retrospective of the German photographerâs oeuvre at the Johannesburg Art Gallery.
26 July 2018, Tim Leibbrandt sits down with curators Sisipho Ngodwana and Alexander Richards, as well as gallery director Joost Bosland, to learn more about how the exhibition came about, and to look back on Stevensonâs history.
1 August 2018, Irina Baconsky reviews an exhibition of Malick Sidibe’s photographs at Jack Shainman, Love, Power, Peace.
27 July 2018, Kwanele Sosibo chats to Kabelo Malatsie, the recently appointed director of Visual Arts Network of South Africa (Vansa).
1 August 2018, Dorian Batycka writes about the 10th Berlin Biennale and how it proves that Germany has yet to confront its contradictions as a place that is open and welcoming to refugees versus a place of growing anti-immigrant, right-wing populism.