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Opinion

October 20, 2020  by admin

Can ‘The Nonrepresentational’ prove a new model for artists and galleries?

10 October 2020, by Nkgopoleng Moloi.

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August 31, 2020  by admin

The art ecosystem and the pandemic – so many questions, so few answers

18 August 2020, As art exhibitions move online in response to the pandemic, art fairs feel the same as galleries, which feel the same as museums, which feel the same as Instagram. Why bother with differentiating? What is the relevance of so many structures doing the same thing? by Kirsty Cockerill.

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August 31, 2020  by admin

Online: The changing space of art

13 August 2020, For some galleries and art events, the lockdown has accelerated their move towards a stronger online presence, by Malibongwe Tyilo.

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August 6, 2020August 6, 2020  by admin

How Ethiopian art secured its spot on the world’s stage

31 July 2020, Ginanne Brownell.

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July 3, 2020  by admin

On the Limits of Care and Knowledge: 15 Points Museums Must Understand to Dismantle Structural Injustice

25 June 2020, by Yesomi Umolu.

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June 19, 2020  by admin

John Akomfrah’s Best Films, Ranked: Strange Futures, Black Identities in Flux, Earthly Damage, and More

16 June 2020, by Alex Greenberger.

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May 22, 2020  by admin

Intimacy and Exposure in an Age of Lockdown

23 April 2020, Covid-19 has undoubtedly already changed everyone’s lives. What the future holds, no one knows. All we know for now is how many parts of the world have adapted to living in lockdown. C& contributor Sean O’Toole writes about what has struck him the most about digital living – and working.

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March 13, 2020  by admin

Can Palais de Lomé Change Arts Funding Models in Africa?

10 March 2020, The first entirely state-funded art museum on the continent is also a relic of a turbulent political and economic history by Rebecca Anne Proctor.

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February 28, 2020  by admin

Tate and MoMa ‘playing catch up’ in collections of modern African art

23 February 2020, by Lanre Bakare.

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February 20, 2020  by admin

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

20 February 2020, by Matthew Blackman.

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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
Igshaan Adams at The Art Institute of Chicago Apr 7th, 2022

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