1 May 2018, Gareth Harris looks at the site specific installation by Kapwani Kiwanga at Frieze New York. Kiwanga is also the winner of the Frieze Artist Award.
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26 April 2018, Cristina Ruiz reports on the opening of the Norval Foundation in Cape Town.
23 April 2018, Jackie Bischof chats to Lekgetho Makola, the head of the Market Photo Workshop, about its philosophy and approach to teaching.
24 April 2018, Jordan G. Teicher chats to Roger Ballen about his photography and his artistic evolution.
20 April 2018, Hettie Judah talks to Lubaina Himid about using her enhanced clout to request that galleries showing her work reach out to black artists living and working nearby and include them in events like talks and debates that run with the exhibitions.
18 April 2018, Benjamin Sutton looks at photography’s influence and impact on how South Africans remember their pasts and picture their futures.
16 April 2018, Tom Jeffereys looks at new report which suggests that women, people from working-class backgrounds and BAME workers all face significant exclusion in the creative industries in the UK.
13 April 2018, Mary Carole McCauley reveals that The Baltimore Museum of Art is selling seven artworks by such 20th-century masters as Andy Warhol, Robert Rauschenberg and Franz Kline to make way for pieces by contemporary artists of color and women including South African artist Zanele Muholi.
11 April 2018, Zahra Omar reports on the University of Johannesburgâs Faculty of Art, Design, and Architecture (FADA) conferring an honorary doctorate to Esther Mahlangu.
5 April 2018, Artforum reports on Decolonize This Place’s open letter demanding that the Brooklyn Museum do more to address representation in its museum. The collective has urged the museum to introduce a âDecolonization Commissionâ that would help the museum âredress ongoing legacies of oppression, especially when it comes to the status of African art and culture.”