13 June 2018, Jose da Silva reports on a painting byĀ Hamishi Farah which was shown at the recently completed Liste. The painting is a response to Dana Shutz’s painting,Ā Open Casket (2016), which raised controversy when it was displayed at the Whitney Biennial last year.
15 June 2018, Christa Dee looks at the art of Eddy Kamuanga Ilunga, a young artists from the DRC.
19 June 2018, Evan Moffit looks at Manifesta 12 and how the exhibition positions Sicily as the fulcrum of geopolitical conflicts over migration, trade, security and surveillance.
19 June 2018, Sean O’Toole looks at the popularity of photography in Africa and how the medium has evolved over the years.
14 June 2018, Anna Louise SussmanĀ spoke to a dozen gallerists and art-world professionals during Art Basel week about how collectors can help galleries survive and thrive.
13 June 2018, Alexxa Gotthardt reports on Helen Martins and her Owl House inĀ Nieu-Bethesda, South Africa.
Economics Professor Pier Luiggi Sacco calls our attention to a crucial tension in the way contemporary visual arts operate today.
13 June 2018, Melanie Gerlis questions whether the art market can continue thrive in a sharing economy characterised byĀ millennial’s who are more interested in experiencing, sharing and being in the moment. Millennial’s donāt seem to have the same collecting gene as previous generations and this could have a lasting impact on the market as we know it today.
11 June 2018, Andrew Goldstein spoke to Art Basel’s Global Director, Marc Spiegler,Ā about his perspective on the marketās tumultuous landscape in the run-up to Art Baselās flagship event in Switzerland.
12 June 2018, M.H. Miller talks to four gallery owners ā Paula Cooper, Elyse Derosia, Bridget Donahue and Sean Kelly ā where they discuss art fairs, auctions and staying in business.