7 August 2018, Victoria L. Valentine looks at the most recent addition to the art collection at The Mead Art Museum at Amherst College.
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3 August 2018, Pac Pobric looks at the British film-makerâs first US museum survey at the New Museum which shows that he is one of the most forceful and stirring artists of the dayâand one of our best social archaeologists.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.
2 August 2018, Chris Thurman discusses Wolfgang Tillmansâs âFragileâ, a wide-ranging retrospective of the German photographerâs oeuvre at the Johannesburg Art Gallery.
1 August 2018, Irina Baconsky reviews an exhibition of Malick Sidibe’s photographs at Jack Shainman, Love, Power, Peace.
30 July 2018, Charlotte Jansen speaks to Phumzile Khanyile, a young Johannesburg-based photographer and recipient of this yearâs Contemporary African Photography Prize, about the family histories and gender stereotypes that she plays with and fights against.
27 July 2018, Nkgopoleng Moloi profiles the work of Byron Fredericks. Byron Fredericks is a Cape Town-born visual artist who earned his BFA from The Pratt Institute in New York, where he is currently based. His practice sees him using colour and mark-making to investigate ideas around identity and socio-political issues.
30 July 2018, Claire Selvin reports that the Mead Art Museum has acquired a large-scale installation by Yinka Shonibare MBE. Titled The American Library Collection (Activists), the work by the English-Nigerian artist comprises 234 books wrapped in Dutch wax print fabric.