11 February 2018, Mary Corrigall previews Strauss and Co’s first dedicated Contemporary auction which will provide a good barometer of value within the local contemporary art market.
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8 February 2018, Garreth Van Niekerk looks at the importance of August House in Joburg. An inner city art incubator which has given a space to some of the continent’s most inspired artists.
6 February 2018, Matthew Collings reviews Yto Barrada’s current exhibition at the Barbican Centre.
3 February 2018, Melissa Gronlund reports on Serge Attukwei Clottey, the Ghanaian artist who uses the money he earns from selling his artworks on an international circuit to benefit his community and to spread information about different environmental and human rights abuses.
1 February 2018, Ben Luke talks to Lydia Ourahmane about her practice and how she explores her familyâs experiences living in the shadow of colonialism.
31 January 2018, Nashira Davids looks forward to the annual Live Art Network Africa symposium organised by Jay Pather.
30 January 2018, Naomi Rea reports on Ibrahim Mahama’s latest exhibition where he asks what Europe should do with its colonial monuments. This is especially interesting in the aftermath of the Rhodes Must Fall movement in South Africa.
29 January 2018, Lyne Lucien talks to Toyin Ojih Odutola about Trump, Racism, Black Lives Matter and blackness as a dangerous construct.
29 January 2018, Melvyn Minnaar looks ahead to the Cape Town Art Fair.
26 January 2018, IOL reports on an exhibition opening of Tell Freedom at the Kunsthal KAdEâs where work by Haroon Gunn-Salie’s is exhibited.