14th March 2021, by Barnabas Ticha Muvhuti.
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April – May 2021.
The Curatorial Connective was developed in response to the question ‘How do we grow the critical middle between commerce and the academy?’ and connect curators – or those with an interest in curatorial practices – with private collectors (staged here as practitioners in their own right) and, by extension, artworks that do not necessarily enjoy the opportunity to be researched and engaged with as those held in public collections might.
16 December 2020, A major new exhibition at Tate Britain in London puts the spotlight on Lynette Yiadom-Boakye, an artist who paints enigmatic Black characters of her own invention by Siddhartha Mitter.
2 December 2020, The photographer’s images of the L.G.B.T.I. community in South Africa put overlooked lives on display in a new career retrospective at Tate Modern in London. By Pumla Dineo Gqola.
8 November 2020, Monumental and full of grace, Zanele Muholi’s exquisite images of South Africa’s black LGBT and township communities are a magnificent act of solidarity by Laura Cumming.
4 November 2020, At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’ by Ayodeji Rotinwa.