2 November 2019, The paintings of Kenyan artist Michael Armitage present a particularly resonant response to the expanded, repackaged, and redefined offerings at the reopened MoMA by Thomas Micchelli.
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25 October 2019, Frustrated by how Morocco was merely treated as a backdrop at shoots, Hajjaj eclipsed limiting stereotypes with expansive, complex personalities by Anahita Toodehfallah.
23 October 2019, The artistās work is steeped in theory and history. He hopes it makes viewers see outside themselves by Laura van Straaten.
16 October 2019, In a sprawling new photography exhibition at the Ryerson Image Center, the joy of self-definition offers its own form of resistance by Beandrea July.
15 October 2019, Using materials that range from twigs to crystals to rainbow-colored hair, the artist makes sculptures that, for all their beauty, are visceral and necessary critiques of racial injustice by Megan OāGrady.
16 October 2019, Some see the sale as a bellwether for the market for modern and contemporary art from Africa by Kate Brown.
9 October 2019, In Conversation with Natasha Becker by Mearg Negusse.