30 May 2018, Jose Da Silva reports on a new art festival, Evora Africa, in rural Portugal which shines the light on African art.
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23 May 2018, James H. Miller looks at the first US survey of the Congolese artist Bodys Isek Kingelez (1948â2015) at the Museum of Modern Art in New York, which offers a fresh approach to this visionary artist.
15 May 2018, Chase Quinn takes a look at the work of Toyin Ojih Odutola and how a series of portraits of a fictional aristocratic Nigerian family is a push toward an expanded definition of the âblack experienceâ.
10 May 2018, Adam Yates reviews Penny Siopis’s current exhibit at the Zeitz Museum of Contemporary Art Africa (MOCAA), This is a True Story.
10 May 2018, Alexxa Gotthardt looks at Anna Boghiguian’s first US solo exhibition at the New Museum in New York City.
7 May 2018, Laura Gilbert reports on a new body dedicated exclusively to resolving art disputes, the Court of Arbitration for Art (CAA), which will be formally launched 7 June in the Hague by the Netherlands Arbitration Institute (NAI) and the nonprofit Authentication in Art.
7 May 2018, Christopher Knight takes a look at Meleko Mokgosi’s exhibition at the UCLA Fowler Museum.
4 May 2018, Anny Shaw previews an upcoming exhibition at Stephen Friedman Gallery organised by artist Yinka Shonibare.
3 May 2018, Liza Essers shares her unorthodox entry into the arts and her view of #MeToo from a South African perspective.
1 May 2018, Gareth Harris looks at the site specific installation by Kapwani Kiwanga at Frieze New York. Kiwanga is also the winner of the Frieze Artist Award.