10 April 2018, Nadja Sayei looks at the new exhibition which celebrates black artists who use themes of time travel, technology and heroism to convey a broader image of the African experience.
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10 April 2018, Andrew Russeth covers the ongoing legal battle that the Berkshire Museum has been fighting in order to sell works from its collection in order to raise money to cover ongoing museum costs.
9 April 2018, Jonathan Mandel reviews Otobong Nkanga’s current exhibition To Dig a Hole that Collapses Again at the Museum of Contemporary Art.
Can Crowdfunding Save Struggling Galleries? Postmasters Looks to Patreon Amid the Mid-Market Squeeze
9 April 2018, Eileen Kinsella reports on how Postmaster Gallery has joined Patreon to seek financial support from their fans via monthly subscriptions.
5 April 2018, Jerry Salts reviews two spectacular Cy Twombly shows at Larry Gagosian Gallery in New York.
6 April 2018, The Malay Online takes and interesting look at April’s upcoming photography auctions and how four seemingly identical photographs can have four very different estimates. The photograph in question is Alfred Stieglitzâs, The Steerage, 1907 and the article looks at how fine details between the four works have a substantial influence on the final estimate.
6 April 2018, Lexi Manatakis looks at the legacy of Seydou KeĂŻta in the lead up to an exhibition of his work at Amsterdamâs FOAM Museum titled Seydou KeĂŻta â Bamako Portraits. The exhibition runs until June 20 2018.
5 April 2018, Kate Brown covers the The UK government’s plan to ban the sale of ivory of any age in order to protect elephants for future generations.
5 April 2018, Art Africa reports on Bronwyn Katz being selected to partake as one of the artist in the SAM artist-in-residence 2018 and her subsequent exhibition at Palais de Tokyo.
4 April 2018, Nduta Waweru reports on the Johannesburg Art Gallery (JAG) joining Google Arts and Culture platform. This means you are now able to take a virtual tour of JAG which includes 7000 works available online.