18 February 2018, Alex Greenberger reports on a developing story involving Neil Beloufa, Parker Bright and Palais de Tokyo. Beloufa used an image of the artist Parker Bright protesting Dana Schutzâs painting Open Casket (2016) during last years Whitney Biennial in his current exhibition at Palais de Tokyo. Parker believes that Beloufa is appropriating his narrative without consent.
17 February 2018, Blouin Artinfo features Igshaan Adam’s current exhibition, ‘Al Latif’at blank projects.
16 February 2018, Sean O’Toole looks at how Cape Town has positioned itself as an global arts destination with the upcoming Cape Town Art Fair as a backdrop where discussions of decolonisation and revolution are intertwined with the privatised and commercialised art market.
16 February 2018, Tumelo Mosaka (Curator of the Cape Town Art Fair) talks about about the ‘Tomorrows/Today’ exhibit that highlights future stars at the Cape Town Art Fair.
15 February 2018, Christie’s asks leading curators, collectors and critics to name their artists to watch from Africa.
14 February 2018, Cameron Vernali looks at Meleko Mokgosi’s exhibition âBread, Butter, and Power,â which is on view at the Fowler Museum until 1 July 2018.
12 February 2018, Sophie Wright looks at the opening of the Museum of African Contemporary Art Al Maaden which opens it’s doors on the 24th of February.
13 February 2018, Benjamin Sutton reviews the New Museum Triennial which features numerous artists from the African continent including Haroon Gunn-Salie, Gresham Tapiwa Nyaude and Lydia Ourahmane.
11 February 2018, Mary Corrigall previews Strauss and Co’s first dedicated Contemporary auction which will provide a good barometer of value within the local contemporary art market.
8 February 2018, Garreth Van Niekerk looks at the importance of August House in Joburg. An inner city art incubator which has given a space to some of the continent’s most inspired artists.