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September 2, 2017  by admin

Review: Ray Hughes’ Africa – a bold art collection from a colourful character

14 July 2017,Ā John McDonald reviews Ray Hughes collection of African art.

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September 2, 2017  by admin

What nebulous factors decide the price of an artist’s work?

14 July 2017,Ā Marisha Flovers previews Aspire Art Auctions upcoming auction in Johannesburg.

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September 2, 2017  by admin

How Cape Town became Africa’s modern art hub

12 July 2017, Melissa Twigg profiles how Cape Town has built on the wave of optimism within the African art market to position itself as a global art hub.

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September 2, 2017  by admin

Investors’ spotlight falls on contemporary African art

6 July 2017, Fred Scott takes a look at the optimism within the African art market in 2017.

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September 2, 2017  by admin

The Fantastical Coffins of Legendary Ghanaian Artist Paa Joe

26 June 2017,Ā Charlotte Jansen surveys Ghanaian sculpture Paa Joe and his latest work being shown at Jack Shainman Gallery.

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September 2, 2017  by admin

Why the Internet Won’t Actually Change the Game for Unrepresented Artists

29 June 2017, Tim Schneider takes an interesting look at dealers don’t actually want a digital revolution.

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September 2, 2017  by admin

Venice Biennale: African pavilions and the politics of space

19 May 2017,Ā M Neelika Jayawardane takes an in depth look at Africa’s representation at the 57th Venice Biennale.

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September 2, 2017  by admin

Documenta 14 Will Bring Work to Angola in Partnership with Fundação Sindika Dokolo

22 June 2017, Robin Scher looks at the upcoming partnership between Documenta and Fundação Sindika Dokolo.

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September 2, 2017  by admin

At Art Basel, Galleries Bet Big on Booming Basquiat Market, Sales Flow During VIP Preview

13 June 2017, Nate Freeman profiles the 2017 edition of Art Basel in the wake of the $110 million Basquiat and 57th Venice Biennale.

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September 2, 2017  by admin

A Look at ā€˜Viva Arte Viva,’ the Hippie, Heal-the-World Venice Biennale

9 May 2017,Ā Andrew Russeth takes a look at Christine Macel’s main exhibitionĀ Viva Arte Viva at the 57th Venice Biennale.

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Recent News

  • Why I Collect: Herman Steyn
  • For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History
  • Igshaan Adams at The Art Institute of Chicago
  • Abyssal simulacra: Phokeng Setai’s ā€˜This stays between you and me’
  • Scheryn Art Collection Newsletter 2021

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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
Igshaan Adams at The Art Institute of Chicago Apr 7th, 2022

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