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August 31, 2020  by admin

ā€˜I’m Proposing Many Ways of Seeing’: Artist Kapwani Kiwanga on Unearthing Buried Histories to Imagine the World Anew

20 August 2020, by Kate Brown.

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August 31, 2020  by admin

The art ecosystem and the pandemic – so many questions, so few answers

18 August 2020, As art exhibitions move online in response to the pandemic, art fairs feel the same as galleries, which feel the same as museums, which feel the same as Instagram. Why bother with differentiating? What is the relevance of so many structures doing the same thing? by Kirsty Cockerill.

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August 31, 2020  by admin

David Goldblatt: Seven decades of Johannesburg

14 August 2020, by Hannah Abel-Hirsch.

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August 31, 2020  by admin

Online: The changing space of art

13 August 2020, For some galleries and art events, the lockdown has accelerated their move towards a stronger online presence, by Malibongwe Tyilo.

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August 6, 2020  by admin

Cinga Samson’s Haunting Portraits Honor His South African Community

5 August 2020, by Charles Moore.

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August 6, 2020August 6, 2020  by admin

How Ethiopian art secured its spot on the world’s stage

31 July 2020, Ginanne Brownell.

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August 6, 2020  by admin

In Front Of That Light: Athi-Patra Ruga’s ā€˜Interior/Exterior / Dramatis Personae’

30 July 2020, by Khumo Sebambo.

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August 6, 2020  by admin

Zanele Muholi: Art and activism

28 July 2020, by Hannah Abel-Hirsch.

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August 6, 2020  by admin

Will the African Art Market’s Recent Rise Withstand the Shutdown? Dealers Say There’s Reason for Hope

14 July 2020, Dealers say that the market is buoyed by accessible price points by Naomi Rea.

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July 3, 2020  by admin

The Textile Artist Who’s Always Known How to Care for Herself Billie Zangewa on strength, femininity, and the healing nature of domesticity

26 June 2020, by Enuma Okoro.

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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
Igshaan Adams at The Art Institute of Chicago Apr 7th, 2022

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