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February 2020

February 28, 2020  by admin

The London gallery making space for contemporary African art

27 February 2020, Contemporary African art has never yet found a place at Tefaf Maastricht, but Tafeta is changing all that by Melanie Gerlis.

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February 28, 2020  by admin

HOW SANTU MOFOKENG SHAPED SOUTH AFRICAN PHOTOGRAPHY

24 February 2020, by Oluremi C. Onabanjo.

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February 28, 2020  by admin

Collectors Flock to the 1-54 Art Fair in Marrakesh as the Demand for African Art Soars, Sparking Concerns About a Masterwork Exodus

24 February 2020, While some fear foreign speculators will snap up major works cheaply, others look to the growing number of African collectors and their private museums by Naomi Rea.

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February 28, 2020  by admin

Tate and MoMa ‘playing catch up’ in collections of modern African art

23 February 2020, by Lanre Bakare.

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February 28, 2020  by admin

Cinga Samson: ā€˜a different conversation on representation’

21 February 2020, by Jareh Das.

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February 20, 2020  by admin

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

20 February 2020, by Matthew Blackman.

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February 20, 2020  by admin

With Help from a Nigerian Prince, a Bold New Contemporary Art Museum Is Set to Open in Lagos

11 February 2020, ā€œCulture and art are absolutely crucial to the health of a nation,” says Prince Shyllon, one of the country’s biggest collectors, by Rebecca Anne Proctor.

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February 20, 2020  by admin

TransĀ­continental Dialogues: in Conversation with Laura Vincenti

5 February 2020, by Artthrob.

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Recent News

  • Why I Collect: Herman Steyn
  • For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History
  • Igshaan Adams at The Art Institute of Chicago
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  • Scheryn Art Collection Newsletter 2021

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Why I Collect: Herman Steyn Jun 28th, 2022
For His First U.S. Museum Show, Igshaan Adams Creates Tapestries That Reflect on South African History Apr 7th, 2022
Igshaan Adams at The Art Institute of Chicago Apr 7th, 2022

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