Scheryn in the Press

17 February 2020, The Scheryn Art Collection is very proud to have four artworks on display as part of Matereality which is on show at the Iziko South African National Gallery from 14 February 2020 – 2 August 2020. We openly welcome any loan requests for artworks in the collection as it is our aim that the collection becomes available to the public in a way that allows educational opportunities and engages new audiences.

The fours work are, Pascale Marthine Tayou, Poupee Pascale (2015), Ibrahim Mahima, Untitled (2018), Gonçalo Mabunda, Untitled (Throne I) (2016) and Untitled Mask (2015).

At the end of an eventful 2019, we thought it was a good time to look back at the year for the Scheryn Art Collection and look forward to 2020.

November 2019

The Scheryn Art Collection is proud to put on its first public exhibition as part of the Norval Foundations Collector’s Focus series. Mapping Worlds: Selected Works from the Scheryn Art Collection is curated by Norval Foundation Chief Curator, Owen Martin. The exhibition investigates how artists in the Scheryn Collection translate the material world or abstract conceptions of space into two-dimensional images or three-dimensional form. The exhibition will run from 2 November 2019 to 27 January 2020 in Gallery 9 at the Norval Foundation.

Scheryn is incredibly happy put on our first exhibition as we take the responsibility of regularly displaying elements of the collection seriously. We look forward to continuing to prioritise alternative conduits for investigating, contextualising and exhibiting the collection.

For more about the exhibition including which artists are included follow this link to the Norval Foundation website.

To see installation images, click below

July 2019, Scheryn Manager, Brett Scott, took part in the panel discussion Should Contemporary Art Last that took place as part of Specialist Conservation Week at the Iziko South African National Gallery.

Conservation specialist Patricia Smithen moderated a panel that included artist, Mawande Ka Zenzile; interim registrar at Zeitz MOCAA, Julia Kabat; and Strauss & Co. contemporary art specialist, Matthew Partridge.

Herman Steyn, Co-Founder and Director of the Scheryn Art Collection will take part in Art Basel Cities Talks Program in Buenos Aires during the weekend of 12 – 14 April 2019. Herman will join prominent thinkers, curators, and makers unite to unpack the new questions facing the artworld during the city’s Semana del Arte

With 2018 winding down we thought it was an opportune moment to reflect on the year for the Scheryn Art Collection and look forward to 2019.

3 August 2018, Nkgopoleng Moloi looks at the work of Billie Zangewa in the lead up to her being the featured artists at the 2018 FNB Joburg Art Fair in September. The article also features Return to Paradise II, which is in the Scheryn Art Collection, as its main image.

Update to the Scheryn Art Collection to address various concerns raised in the media:

We are aware of various reports surrounding the resignation of Mark Coetzee from Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) which suggest that the Scheryn Art Collection had a role to play in his resignation. Out of respect for the legal proceedings, we have waited to address these reports with the hope that the Trustees of Zeitz MOCAA would release a statement providing further details into Mark’s resignation. As this has not happened we believe the time is right to address the concerns related to the Scheryn Art Collection.

Writing for ARTFORUM, Sean O’Toole reviewed Pulling at Threads currently on view at the Norval Foundation. Both of Nick Cave’s Soundsuit, 2012 and Abdoulaye Konaté’s Composition Bleue avec Orange et Jaune, 2016 are part of the exhibition. O’Toole describes the exhibition as a meditation on craft in contemporary artistic practice, which marshalls works by eight artists—including Nick Cave, Abdoulaye Konaté, and William Kentridge—to stage an argument about the postdigital ‘return to the haptic.” We are thrilled to have the two works as part of the exhibition and to have them recognized in ARTFORUM.