13 August 2018, The “eQualities of Women” exhibition opens at the National Gallery of Zimbabwe in Harare on August 23.
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8 August 2018. When a gallery’s focus is set firmly on its relationships with its artists, magic is made, and that’s the secret to how Stevenson gallery is contributing to the growing success of the African art market by Sarah Browning-de Villiers.
8 August 2018, Robin Pogrebin looks at how a growing number of museums are addressing diversity with new urgency.
8 August 2018, Nana Oforiatta Ayim writes about ANO, a self-described “Institute of Arts & Knowledge” in Accra, Ghana, that since 2002 has presented exhibitions and educational programs in the city and organized roaming initiatives, including the Mobile Museum Project and The Cultural Encyclopaedia, a collective archive initiative devoted to past and present culture from around the African continent.
8 August 2018, Melvyn Minnaar visits two exhibitions celebrating local art gallery Stevenson’s 15 years of existence.
3 August 2018, Zaza Hlalethwa writes about the Leaders in Motion Academy (LIMA), South Africa’s first township film academy. The academy will provide a free, extensive 12-month programme for selected students to learn the industry’s basics.
7 August 2018, Misha Krynauw looks at the work of Lionel Davis at the occasion of a new his monograph, Awakenings – The Art of Lionel Davis.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.