11 July 2018, Billie McTernan looks at the vibrant art community working in Ghana.
11 July 2018, At the Berlin Biennale, Dineo Seshee Bopape turned the drip-drip-drip of oppressive systems into powerful films and installations, by Josie Thaddeus-Johns.
10 July 2018, Mik Awake profiles the Zoma Museum, a new eco-homage to Ethiopia’s indigenous architecture as well as a distinctly African home for contemporary art.
2 July 2018, Congolese-born art collector Sindika Dokolo says this “long-neglected historical wrong” is finally being addressed—but more can be done.
2 July 2018, Caroline A. Jones asks, with the proliferation of biennials and art fairs around the world has brought with it the rise of a jet-set elite. For all their talk of working with local communities, how much do such events encourage meaningful engagement?