12 May 2017, Alexxa Gotthardt and Scott Indrisek pick their 14 of their favourite artists from the Venice Biennale. In their selection is Moroccan artist Aschraf Touloub.
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31 May 2017, Houghton Kinsman profiles Bisi Silva, the founding director and curator of the Centre for Contemporary Art (CCA).
25 May 2017, Antwaun Sargent profiles Mohau Modisakeng and the body of work he is currently showcasing as part of the South Africa Pavilion at the Venice Biennale.
24 May 2017, Tess Thackara takes a look at the exhibitions put on by African countries at the Venice Biennale and the various obstacles they had to overcome on the way to showcasing world class exhibitions.
20 May 2017, Chika Okeke-Agulu looks at the current situation within the African Art scene and emphasizes the importance of keeping artworks on the African continent and accessible to the public.
19 May 2017, Anna Louie Sussman takes a look at the eye watering price recorded for Jean-Michel Basquiat’s Untitled (1982) during Sotheby’s Contemporary evening sale and the young Japanese buyer behind the transaction.
18 May 2017, Nate Freeman and Andrew Russeth look outside the Auction duopoly to analyse Phillips Contemporary Evening sale in New York.
17 May 2017, Robin Pogrebin and Scott Reyburn profile Jean-Michel Basquiat’s rise in the run up to May sales in New York.
17 May 2017, Alyssa Buffenstein looks at the inaugural Sotheby’s Modern and Contemporary African sale which took place in London. Although, there were some eye catching results, the sale failed to reach its low estimate.
17 May 2017, Nate Freeman reports on the Chrisites Postwar and Contemporary Sale during the New York May sales.