26 February 2018, Naomi Rea reports on the activities surrounding the first edition of 1:54 Marrakech.
23 February 2018, Javier Pes chats to the British-Nigerian artist Yinka Shonibare about the motivation behind two high-profile public projects coming to the US.
22 February 2018, Anny Shaw looks at the first edition of 1:54 in Marrakech.
20 February 2018, Jerry Saltz highlights problems with the New Museum’s triennial “Songs for Sabotage.”
20 February 2018, Aimee Dawson looks at the impact on Africa’s art scene from the launch of 1:54 Marrakech and relaunch of Museum of African Contemporary Art Al Maaden (Macaal).
18 February 2018, Alex Greenberger reports on a developing story involving Neil Beloufa, Parker Bright and Palais de Tokyo. Beloufa used an image of the artist Parker Bright protesting Dana Schutz’s painting Open Casket (2016) during last years Whitney Biennial in his current exhibition at Palais de Tokyo. Parker believes that Beloufa is appropriating his narrative without consent.
16 February 2018, Sean O’Toole looks at how Cape Town has positioned itself as an global arts destination with the upcoming Cape Town Art Fair as a backdrop where discussions of decolonisation and revolution are intertwined with the privatised and commercialised art market.
16 February 2018, Tumelo Mosaka (Curator of the Cape Town Art Fair) talks about about the ‘Tomorrows/Today’ exhibit that highlights future stars at the Cape Town Art Fair.
14 February 2018, Cameron Vernali looks at Meleko Mokgosi’s exhibition “Bread, Butter, and Power,” which is on view at the Fowler Museum until 1 July 2018.