29 November 2017, Robin Scher looks at William Kentridge’s performance for Performa 17.
28 November 2017, Noami Rea reports on Emmanuel Macron’s recent visit to Burkina Faso where he promised to make the restitution of French-owned African heritage a priority over the next five years.
27 November 2017, Clare McAndrew writes an interest piece for Artsy about the “Superstar Economics” within the Art Market. A very interesting article which touches on how small and medium galleries can adapt and survive in the face of mega blue chip galleries.
27 November 2017, Molly Schuetz looks at Arthena, a New York based art investment fund looking to democratize the art investment market.
21 November 2017, Julia Halperin questions whether we are in the middle of a cultural boom while reporting on the amount spent on building cultural institutions around the world. The article covers a report that was commissioned on behalf of the Global Cultural Districts Network.
21 November 2017, Nate Freeman looks at the most important works of David Rockefellars estate which Christies will sell in 2018.
20 November 2017, Hili Perlson profiles Fondation Cartier’s survey of Malick Sidibe’s electrifying Mali.
20 November 2017, Nate Freeman reports on Kemang Wa Lehulere winning the Malcom McLaren Award for Performa 17. The Malcolm McLaren Award is awarded to the standout artist in each biennial iteration.
21 November 2017, Colin Gleadell digs a bit deeper into the most recent auction sales in New York. After all the dust has settled from the “Salvator Mundi” sale its clear that there has been an uneven recovery in the market masked by marketing ploys and cross market sales.