11 July 2018, Billie McTernan looks at the vibrant art community working in Ghana.
10 July 2018, Victor Ehihkamenor, a visual artist, writer, and photographer, says the marketability of Nigerian art is improving but it can be better if there are more collectors.
10 July 2018, Mik Awake profiles the Zoma Museum, a new eco-homage to Ethiopia’s indigenous architecture as well as a distinctly African home for contemporary art.
9 July 2018, Pablo Larios cahts to Monika Sprüth and Philomene Magers.
6 July 2018, Hettie Judah asks, is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?
2 July 2018, Congolese-born art collector Sindika Dokolo says this “long-neglected historical wrong” is finally being addressed—but more can be done.
2 July 2018, Caroline A. Jones asks, with the proliferation of biennials and art fairs around the world has brought with it the rise of a jet-set elite. For all their talk of working with local communities, how much do such events encourage meaningful engagement?