4 September 2018, Will Furtado talks to Meleko Mokgosi about “identity”.
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31 August 2018, Kenyan artist Mimi Cherono Ng’ok creates images containing grainy nostalgia. Presented to the viewer like fragments of a dream or memory, they draw you back to your own past, poking at your own glimpses of people and places that remind you of home by Christa Dee.
29 August 2018, Tymon Smith reviews On Common Ground at Goodman Gallery.
27 August 2018, The University of Cape Town’s (UCT) Institute for Creative Arts (ICA) promises that its ICA Live Art Festival 2018, which runs from 1 to 16 September, will explore new forms, break boundaries, flout aesthetic conventions, tackle controversies, confront audiences and experiment with perceptions.
24 August 2018, Kopano Maroga writes about Dineo Seshee Bopape’s Untitled (Of Occult Instability) [Feelings] at the KW Institute for Contemporary Art as part of the 10th Berlin Biennale.
23 August 2018, Billie Zangewa speaks to Art Africa about the FNB JoburgArtFair, “resisting persistence”, and the delicate strength of silk.
17 August 2018, Alina Cohen looks at the work of Zanele Muholi on the occasion of a new monograph by Aperture, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness.
18 August 2018, Louis Bury reviews Sedimentations: Assemblage as Social Repair at The 8th Floor in New York. The exhibition includes work by El Anatsui.