8 August 2018, Obidike Okafor speaks to Olumide Onadipe about how art has helped him be a better social commentator.
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9 August 2018, Siddhartha Mitter looks at the work of John Akomfrah in light of his exhibition at the New Museum.
10 August 2018, Jasmine Weber reports that the artist’s candid event photographs demand the spotlight in his current exhibition in New York.
8 August 2018 by Jonathan Curiel. “After the Thrill Is Gone,” Zimbabwean artist Kudzanai Chiurai’s exhibit at the Museum of the African Diaspora, tests the hopes and disappointments of post-Apartheid South Africa and neighboring Zimbabwe.
Zack Hatfield reviews Anna Boghiguian’s The Loom of History.
7 August 2018 by Laura Collinson. This October, Somerset House and 1-54 Contemporary African Art Fair will present new and rarely seen works from the internationally renowned South African artist Athi-Patra Ruga. In what will be his first major solo UK exhibition, Ruga will reveal a mythical world which challenges perceptions of cultural identity and parodies the construction of the South African nation-state, in the post-apartheid era.
7 August 2018, Victoria L. Valentine looks at the most recent addition to the art collection at The Mead Art Museum at Amherst College.
3 August 2018, Pac Pobric looks at the British film-maker’s first US museum survey at the New Museum which shows that he is one of the most forceful and stirring artists of the day—and one of our best social archaeologists.
31 July 2018, Will Furtado looks at some of the questions South African artist Bronwyn Katz grapples with in her debut solo show in Paris. Entitled A Silent Line Lives Here, the exhibition explores the possibility of overcoming boundaries even when it happens silently.