14 August 2018, Raison Naidoo reviews A Silent Line, Lives Here, at the Palais de Tokyo.
Read More›
16 August 2018, Debra Brehmer looks at the current William Kentridge exhibition at the Milwaukee Art Museum, More Sweetly Play the Dance and how interesting it is that the artist envisioned the cage as the equivalent of a piece of luggage or a goat, something that we cannot leave behind.
16 August 2018, Alex Greenberger looks at John Akomfrah’s show at the New Museum and an Adrian Piper retrospective at the Museum of Modern Art.
16 August 2018 by Gareth Harris. Haroon Gunn-Salie’s installation of 17 headless men represents victims of Marikana shootings.
16 August 2018, by ArtAfrica. Prestigious annual FNB Art Prize awarded to Haroon Gunn-Salie.
August 2018 by Art Basel. After almost a decade spent working together, the two men reflect on their trajectory and share what they learned along the way.
12 August 2018 by Fisun Güner. A new book featuring five years of recorded conversations between South African artist William Kentridge and writer Denis Hirson traces twenty years of friendship against the backdrop of the rich visual heritage and political strife of Johannesburg.
14 August 2018, Lexi Manatakis features Samuel Fosso in her article about artists using drag in their works.
8 August 2018, Obidike Okafor speaks to Olumide Onadipe about how art has helped him be a better social commentator.
9 August 2018, Siddhartha Mitter looks at the work of John Akomfrah in light of his exhibition at the New Museum.