9 April 2018, Jonathan Mandel reviews Otobong Nkanga’s current exhibition To Dig a Hole that Collapses Again at the Museum of Contemporary Art.
9 April 2018, Eileen Kinsella reports on how Postmaster Gallery has joined Patreon to seek financial support from their fans via monthly subscriptions.
5 April 2018, Jerry Salts reviews two spectacular Cy Twombly shows at Larry Gagosian Gallery in New York.
6 April 2018, The Malay Online takes and interesting look at April’s upcoming photography auctions and how four seemingly identical photographs can have four very different estimates. The photograph in question is Alfred Stieglitz’s, The Steerage, 1907 and the article looks at how fine details between the four works have a substantial influence on the final estimate.
6 April 2018, Lexi Manatakis looks at the legacy of Seydou Keïta in the lead up to an exhibition of his work at Amsterdam’s FOAM Museum titled Seydou Keïta – Bamako Portraits. The exhibition runs until June 20 2018.
5 April 2018, Kate Brown covers the The UK government’s plan to ban the sale of ivory of any age in order to protect elephants for future generations.
4 April 2018, Nduta Waweru reports on the Johannesburg Art Gallery (JAG) joining Google Arts and Culture platform. This means you are now able to take a virtual tour of JAG which includes 7000 works available online.
31 March 2018, Victoria Valentine reports on Sotheby’s African Modern & Contemporary Art sale which took place on 28 March 2018 in London.
28 March 2018, Jason Farago reviews Mohamed Bourouissa: Urban Riders on display until April 22 at the Musée d’Art Moderne de la Ville de Paris. The exhibition by the Algerian-French artist Mohamed Bourouissa was built out of the year he spent in Philadelphia living among the young men of the Fletcher Street Urban Riding Club.
29 March 2018, Gareth Harris reports on the ground-breaking partnership between Budi Tek and LACMA to ensure the long-term future of Tek’s collection.
28 March 2018, Diane Smyth reports on the shortlist for the Contemporary African Photography Prize. The prize is a prize for those engaging with Africa or its diaspora.
28 March 2018, Katrina Kufer looks at Kader Attia’s current exhibition at Palais de Tokyo which runs until 13 May 2018.
The Museum of Modern Art will be holding a retrospective of the artist Bodys Isek Kingelez (1948–2015) from the DRC. Bodys was primarily a sculptor of imagined buildings and cities that reflected dreams for his country. The retrospective will take place from May 26 2018 until January 1, 2019
21 March 2018, Anny Shaw uses the context of the 2018 edition of Art Dubai to investigate if there is increased interest for African Art in the Middle East.
20 March 2018, Louisa Buck looks at Lydia Ourahmane’s exhibition, The You in Us, which is the Algerian artist’s current solo exhibition at Chisenhale Gallery in London.
19 March 2018, Andrew Goldstein conducts a very interesting interview with Marc Spiegler, Global Director of Art Basel. The pair discuss how the fair has evolved over Marc’s 10 year involvement along with the influence of Art Basel and the role it plays in the Global Art Market.