12 March 2018, Hermoine Eyre chats to Robert Devereux about his love for African Art and his future plans to support artists on the continent.
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13 March 2018, Mary Pelletier takes a look at Yto Barrada’s exhibition ‘Agadir’ at The Curve, Barbican Centre.
13 March 2018, Alex Greenberger unpacks the most recent Art Basel/UBS Art Market report for 2017.
5 February 2018, Alexxa Gotthardt profiles Baya Mahieddine, a Algerian artist whose work is being shown at NYU’s Grey Art Gallery. The exhibition is the first U.S. solo exhibition of the late Algerian painter and sculptor.
9 March 2018, Sarah P Hanson and Gareth Harris look at how South African artists dealing with issues of post-colonial politics, black power, and identity find a receptive US audience.
8 March 2018, Helen Stoilas reports on blank projects winning the Presents Booth Prize at the 2018 Armory Show. blank showed works by Igshaan Adams and Cinga Samson.
7 March 2018, Alex Greenberger profiles Galerie Nathalie Obadia and the works of Seydou Keita that the gallery will be taking to The Armory Show in 2018.
6 March 2018, Colin Gleadell looks at two important auctions dedicated to art from Africa taking place at Bonhams and Sotheby’s in London.
5 March 2018, Karin Andreasson reviews the opening exhibition at the Museum of African Contemporary Art Al Maaden in Marrakech. The photographic exhibition features 40 established and emerging photographers from the African continent and its diaspora.
2 March 2018, Barbara Casaveccchia takes a look at Ibrahim Mahama’s solo exhibition at Apalazzo Gallery in Brescia.
1 March 2018, Sarah Cascone reports on Bonham’s “Africa Now” auction in London.
1 February 2018, Ben Luke chats to Lydia Ourahmane about her practice, her solo show at London’s Chisenhale Gallery, upcoming New Museum Triennial and a group exhibition at the Ghebaly Gallery in Los Angeles.
26 February 2018, Naomi Rea reports on the activities surrounding the first edition of 1:54 Marrakech.
23 February 2018, Javier Pes chats to the British-Nigerian artist Yinka Shonibare about the motivation behind two high-profile public projects coming to the US.
22 February 2018, Anny Shaw looks at the first edition of 1:54 in Marrakech.
20 February 2018, Jerry Saltz highlights problems with the New Museum’s triennial “Songs for Sabotage.”
20 February 2018, Aimee Dawson looks at the impact on Africa’s art scene from the launch of 1:54 Marrakech and relaunch of Museum of African Contemporary Art Al Maaden (Macaal).
18 February 2018, Alex Greenberger reports on a developing story involving Neil Beloufa, Parker Bright and Palais de Tokyo. Beloufa used an image of the artist Parker Bright protesting Dana Schutz’s painting Open Casket (2016) during last years Whitney Biennial in his current exhibition at Palais de Tokyo. Parker believes that Beloufa is appropriating his narrative without consent.
17 February 2018, Blouin Artinfo features Igshaan Adam’s current exhibition, ‘Al Latif’at blank projects.