17 February 2018, Blouin Artinfo features Igshaan Adam’s current exhibition, ‘Al Latif’at blank projects.
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16 February 2018, Sean O’Toole looks at how Cape Town has positioned itself as an global arts destination with the upcoming Cape Town Art Fair as a backdrop where discussions of decolonisation and revolution are intertwined with the privatised and commercialised art market.
16 February 2018, Tumelo Mosaka (Curator of the Cape Town Art Fair) talks about about the ‘Tomorrows/Today’ exhibit that highlights future stars at the Cape Town Art Fair.
15 February 2018, Christie’s asks leading curators, collectors and critics to name their artists to watch from Africa.
14 February 2018, Cameron Vernali looks at Meleko Mokgosi’s exhibition “Bread, Butter, and Power,” which is on view at the Fowler Museum until 1 July 2018.
12 February 2018, Sophie Wright looks at the opening of the Museum of African Contemporary Art Al Maaden which opens it’s doors on the 24th of February.
13 February 2018, Benjamin Sutton reviews the New Museum Triennial which features numerous artists from the African continent including Haroon Gunn-Salie, Gresham Tapiwa Nyaude and Lydia Ourahmane.
11 February 2018, Mary Corrigall previews Strauss and Co’s first dedicated Contemporary auction which will provide a good barometer of value within the local contemporary art market.
8 February 2018, Garreth Van Niekerk looks at the importance of August House in Joburg. An inner city art incubator which has given a space to some of the continent’s most inspired artists.
6 February 2018, Matthew Collings reviews Yto Barrada’s current exhibition at the Barbican Centre.
3 February 2018, Melissa Gronlund reports on Serge Attukwei Clottey, the Ghanaian artist who uses the money he earns from selling his artworks on an international circuit to benefit his community and to spread information about different environmental and human rights abuses.
1 February 2018, Ben Luke talks to Lydia Ourahmane about her practice and how she explores her family’s experiences living in the shadow of colonialism.
31 January 2018, Nashira Davids looks forward to the annual Live Art Network Africa symposium organised by Jay Pather.
30 January 2018, Naomi Rea reports on Ibrahim Mahama’s latest exhibition where he asks what Europe should do with its colonial monuments. This is especially interesting in the aftermath of the Rhodes Must Fall movement in South Africa.
29 January 2018, Lyne Lucien talks to Toyin Ojih Odutola about Trump, Racism, Black Lives Matter and blackness as a dangerous construct.
29 January 2018, Melvyn Minnaar looks ahead to the Cape Town Art Fair.
26 January 2018, IOL reports on an exhibition opening of Tell Freedom at the Kunsthal KAdE’s where work by Haroon Gunn-Salie’s is exhibited.
25 January 2018, Gabriella Angeleti looks at Sotheby’s acquisition of Thread Genius, which uses image recognition software.
25 January 2018, Artforum reports on Robin Rhode being awarded the Zurich Art Prize.
23 January 2018, Michael J. de la Merced reports on the latest develops within Paddle8, an online art auctioneer looking to disrupt the status quo.