24 August 2018, Kopano Maroga writes about Dineo Seshee Bopape’s Untitled (Of Occult Instability) [Feelings] at the KW Institute for Contemporary Art as part of the 10th Berlin Biennale.
24 August 2018 by Nate Freeman.
24 August 2018, Adams’s artworks have a compelling sense of incompleteness, as the viewer is pressed to consider what is missing within his representations by Kealey Boyd.
23 August 2018, Chloe Stead looks at conference at the Salzburg Summer Academy which demonstrated the contentious issues at stake when dealing with the legacy of colonialism – and possible ways forward.
August 2018, Sory Sanlé’s potent portraits of West African youth culture in the 1970s captured Burkina Faso at a pivotal moment of emergence. Now in his 70s, the photographer has been living in relative obscurity, an unsung bastion of Voltaic photography’s golden age – until now. By Tom Seymour.